Showing posts with label cars. Show all posts
Showing posts with label cars. Show all posts
Saturday, 3 September 2011
Gandy Drives: Caterham Supersport
The model
There comes a time when a man suddenly realises that his youthful bravado is no more and he has grown old and ever so slightly tame. My moment came when I collected what turned out to be one of the most significant cars I'll ever drive: the Caterham Supersport.
The very British Goodwood Festival of Speed is now said to be the finest motoring event in the world. I wanted the top driver's car produced by a British Company, so Caterham was the obvious choice: it suited the exuberant, slightly rebellious nature of of the festival. As I entered the small Caterham offices in Surrey, dodging the numerous tourists taking pictures of the unique-looking cars outside, I already had this review written in my head: a fast, unpredictable, big toy that really belongs, like a lot of the British car industry, in the history books. However, I couldn't have been more wrong.
Thursday, 7 July 2011
Gandy drives: Jaguar XKR-S
A few years ago, I wrote an article about Jaguar. In it, I said what a sleeping giant I thought the company was - and that even worse than waking a sleeping giant is waking a big, very angry cat. Well, the beast has now awoken, thanks mostly to a huge cash injection by Tata and free reign at last to do what it does best - and that is to take on the best and beat them. The XF has won more awards than both Tiger Woods and Ryan Giggs have (allegedly) had women, the XJ is regarded by most motoring journalists as the best luxury saloon available today and in 2012 comes the beautiful and innovative CX-75 supercar. Expect 0-60mph in less than three seconds, free annual road tax and super-low emissions. However, what I want to talk about here is the Jaguar XK.
The second-generation XK is the oldest of the Jaguar models, having been introduced in 2006. But after many improvements over the last five years and a major revamp in 2011, the XK is to me the best GT sportscar on the road today. What right do I have to hold such an opinion? Well, because the XK has been my choice of everyday car (in various forms) for the last three years. And for a person who gets bored of most things very quickly, and suffers from severe, recurring car envy, it's high praise indeed that the XK has managed to keep me entertained and contented for this long.
With its newfound belief and of course investment, Jaguar has gone out and built the ultimate statement of intent in the shape of the new XKR-S. This is not merely the fastest Jaguar ever built, but also the most agile, responsive and driver-focused Jaguar to date. The exterior has styling unique to the XKR-S (although the whole XK range has now gotten rid of the awkwardly designed front lights) which not only helps to reduce lift and maximise stability, but also gives it such a presence - particularly in dark grey with smoked alloys - that you half expect James Bond to get out of one door and Batman the other. If the XKR is Bruce Banner then the XKR-S would be the Hulk.
Inside, winged performance seating hints at its intention. All the cheap plastics buttons have been replaced with soft touch rubber; in fact, everything now feels very high quality. A vegetarian would certainly not be a big fan of the rest of the interior, given that every surface is either leather or suede. But this is a Jaguar after all, old boy!
The Audi R8 V10 has 518bhp. The Porsche 997 Turbo S has 523bhp. The top Aston Martin DBS has 510bhp. The XKR-S has 542bhp. Yes, 542bhp, which means 0-60 in 4.2 seconds and top speed of 186mph. To get all this power, and keep the driver on the road, the spring rates have been increased, the front suspension revised and all the driver adaptive dynamic aids have been reviewed. This car is astonishing to drive. I'm used to driving the XKR and know the limits of the front turn-in and how liberal I can be with the throttle. The XKR-S rips up those rules. The turn-in is more precise: it feels taut, stable and so confidence-inspiring, I don't think I missed an apex all day even though frankly I'm an awful track driver. I didn't want to get out of this car, ever. Yes, the ride is stiffer, but it's still one of the most beautiful damped sports cars on the road and once you hear the almost ridiculous exhaust note, you won't mind loosening a few fillings or losing a few previously friendly neighbours.
Some motoring reviews are saying that the XKR-S does not warrant the extra £20K over and above the XKR. I beg to differ. In many ways I think Jaguar could have taken the XKR-S even more extreme. Get rid of the back seats (which are pretty useless anyway), lose the luxuries such as heated/electric seats, satnav, even the heated steering wheel (God forbid we get cold pinkies) and make it much rawer, lighter, fanatical in fact. Leave the XKR as the gentlemen's fast GT. In many ways, the XKR-S is trying to be too many things. However this car goes, stops and steers in a manner which is exploitable and thrilling to most. On top of that it's aggressively beautiful, contains every luxury one could ever want and is still tens of thousands of pounds cheaper than its most direct rival. I could die happy knowing that this was my sole transport for the rest of my life.
Source: gq-magazine.co.uk
Friday, 4 March 2011
Thursday, 3 March 2011
Gandy drives: 300SL Mercedes Gullwing Coupé.
During my last visit to Mercedes-Benz World in Surrey to review the new SLS AMG for GQ.com, the team had to pull me away from the original model that it was based on, the stunning 1955 300SL Gullwing Coupé. After I explained that it was one of my dream cars, they kindly invited me back to drive it...
The model
After suffering two weeks of saturation bombing in 1944, the world's oldest automobile company "ceased to exist". Just ten years later and after victories at Le Mans and the Nürburgring with a car called the 300SL, Mercedes turned that race car into the world's first supercar. The 300SL introduced many pioneering feats which are still used to this day: the complex space frame and fuel injection producing an then unheard-of 215bhp, to name but two.
The looks
For me the 300SL is just one of the most heartachingly beautiful cars ever built - powerful without being brutish. The styling (there were no Italian design studios involved) came from practical engineering solutions. Built as a coupé with gullwing doors so that it could be faster on the straights, it had no protrusions, no door handles and no outside rear-view mirror. Its round shape and small flares helped keep the air clean, all to make the car go as fast as possible. The 300SL was an expedient and, at two to three times the price of the top sports cars at that time, the preserve of the rich and famous.
The drive
There is a (possibly apocryphal) story about a groupie who spent a wild night in bed with Mick Jagger. Asked by her friend the next morning how it was, she replied, "Well, he's no Mick Jagger." Therein lies the problem when someone or something has a reputation which proceeds it by so such. My expectations of driving one of my dream cars were so great, I almost didn't want to spoil the fantasy I had built up in my mind. So, what happened?
Well, getting into the Gullwing is an event in itself. Clambering over the sill onto the bright red seats (with matching luggage) and closing those famous doors sent shivers down my spine. The dashboard, with its milled metal, numerous switch gears (none of which anyone knows how to use, so best not to start playing around), ivory steering wheel and gear stick, is like a work of art. I can't begin to explain the feeling of nostalgia and history. For the lucky few who own one of these cars, the sense of occasion every time you drive it must be beyond anything you feel not only in modern cars, but also in many classics.
Reading up on the 300SL beforehand, I discovered the following: "a suspect swing axle needed an expert to tame it". Well, if they needed an expert, boy had they chosen the wrong guy. Along with a left-hand steering wheel so large I think it once helped drive the Titanic, pretty much non-existent brakes, tyres so thin a basic Fiesta would have had better grip - oh, and the cold, wet Mercedes-Benz World track (and did I mention the car is worth £500,000?) - to say I was cautious would be an understatement. I was not going to be the guy who pranged the 300SL while on test. Actually, Miss Daisy would have been perfectly happy sat next to me as a passenger.
When people have asked me about the experience, I've told them I felt like I'd just been on a date with the most beautiful women in the world - and I can't have her again. I found myself looking back at the 300SL in a rather embarrassingly longing way, knowing I would probably never get to own or even drive one ever again.
You need to know
You might think me a little mad for saying that I think £500,000 is a bargain. However, with only 1,400 units built (but obviously far less surviving on the road today) and some classic Jaguars and Ferraris going for anything between £3m and £10m, the arguably more beautiful and unarguably more historic 300SL seems like a steal. It will almost never lose money - not something you could say about "supercars" nowadays.
So, a sound investment? Well, that's the pitch I'm going in to my bank manager with. Just imagine yourself out for the evening, dinner suit on, beautiful woman next to you and arriving to an event in a 300SL. Bugatti Veyron? Ferrari Enzo? Pagani Zonda? Oh, please! These cars would merge into one tasteless, characterless lump of machinery by comparison.
Yes, £500,000 is a little beyond most people's budget. There was, however, a Mercedes built and sold alongside the 300SL in the Fifties and Sixties. Of course, it isn't as famous, or as historic, but I think you get 75 per cent of the 300SL for a tenth of the price. I would tell you the name, but I'm currently looking for a good example myself and don't need any more competition, thanks very much.
Engine
6-cylinder, 215 bhp
Peformance
Top speed 160mph (depending on gearing)
Price
£500,000 (approximately)
Read more: http://www.gq-magazine.co.uk
Wednesday, 9 February 2011
A Good Start To The Week
I've decided to include a famous saying or quotation on every blog I write on VOGUE.COM from now on. There may be no rhyme or reason, but hopefully they will be poignant and encouraging to some at least who read it. So, as it's nearly Valentine's Day (of course I don't actually believe in all that, I believe every day should be romantic apart from the 14th February), a heart felt message to start:
"Love doesn't make the world go round, love is what makes the ride worthwhile."
~ by Elizabeth Browning ~
Talking of love, let's talk cars. I had an astonishing couple of days in Paris thanks to the Jaguar team. However, it wasn't the cars that made it so memorable; it was my fellow guests, Stephen Bayley (cultural commentator), and Carlos Brandelli (designer/artist). Not only are they the most suave and stylish men I have met in a long time, they are both so tremendously knowledgeable that the history of the architecture and mostly everything Parisian was so, so interesting that it really opened my eyes to the beauty of a city that I had never really warmed to. One of the highlights was having lunch in the original house and factory of Louis Vuitton. The special order trunks and bags are still made at this factory by the "artists" as they are called. It's a fascinating place. Unfortunately, I didn't manage to drag one of the 100-year-old, priceless original trunks out though. The reason we were all out there of course was to celebrate Louis Vuitton awarding Ian Callum (design director of Jaguar), for his work on the sublime C-X75. Ian is not only humble and charming, but also in my opinion one of the best, if not THE best car designer working today. Not only was he responsible for the design direction that Aston Martin now so famously pursue, he designed the XF, XK (my car - need we say more), and new XJ for Jaguar. The genius in his designs is that they last. You are initially almost shocked at his designs, as to the extent of the direction he has taken, but over time you come to more than appreciate these designs and realise the rest of the industry start to follow. A little tip - the sign of a really good-looking car is that you always turn back to for one more look.
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Marigay McKee, Adrian Clarke and I. |
If you haven't been lucky enough to come across Shortlist magazine, then please try to get your hands on one and see what a truly great men's weekly should be like when executed perfectly - and to top it all off it's FREE. I usually pick one up at the airport when I am off on one of my trips, and too be honest I get a little bit too excited at the prospect of reading the new edition. It really does make numerous flights go that little bit quicker. It engulfs everything men need to know (styling, grooming, technology, current affairs), into one small, but very stylish magazine. I attended the Shortlist Grooming Awards this morning and was lucky enough to be voted their Face of Today for 2011. I am truly very honoured and grateful and would like to say a special thank you to their style director Adrian Clark and chief executive, Mike Soutar for a great event.
On a more concerning note, I am writing this blog in pain. No, don't worry I didn't accidentally pick up the extra small D&G pants in the shop! The pain is from running 16miles at the weekend. I have decided to run the London Marathon for Oxfam in April. When I know more details and have links for sponsorship for this very worthy charity, I will put them up on my blog. I will also keep you updated on my training progress. In the meantime, if there are any experienced marathon
runners reading this - if you could be so kind and to give me any helpful tips (buy a horse and ride that round was a very unhelpful remark from a close friend!), I would appreciate it immensely.
Source: http://www.vogue.co.uk/blogs/david-gandy/default.aspx
Friday, 4 February 2011
Monday, 24 January 2011
David Gandy 15 favourite cars
David Gandy has proved that male models can be just as fabulous as female ones - his blog is among the most popular of all our guest blogs (we can't imagine why) - and while we love looking at him, he's been busy looking at cars all this time. If you want him to notice you, talk about one of these next time you see him.
1. Jaguar XKSS
'There is one sentence needed to describe how sublime and cool this car is: 'Steve McQueen was renowned for speeding around the Hollywood hills in an XKSS'. The End. This is my dream car. The one that I would sell most of my worldly possessions (and some family), to own. Only 16 were made from 1957 onwards. It was developed from the racing Jaguar D-Types as a 'duel purpose' car and was in a league of its own as the world's quickest and fastest production car. To me though, its grace, detailing, and pre-E-type beauty puts it at the top of probably the greatest and most stylish car of all time.'
2. Jaguar XJ6
'I believe people are always Jaguar, BMW or Mercedes drivers although Mercedes, BMW and even Audi owners might swap and change between each other as those badges are always a pull. My family has always been a Jaguar family and since the Eighties my dad has always had an XJ6 sitting on the driveway. These cars took myself and my family across many a European adventure (the Griswolds had nothing on us!). My grandparents always with us, Nan handing out dusty/linty mints from bottom of her handbag and my mum's self-mixed cassettes blasting out Hall & Oates for the 38th time that day, but even after a week of fulltime driving, the smell of the finest quality wood and leather still filled the air. But you know the most amazing thing, the XJ never once let us down. Launched and regarded as the most beautiful saloon car in 1968, the XJ6 design stayed with us for 32 years. Sir William Lyons rewrote the luxury car rule book. It handled better than most sports cars and the ride was more cosseting than anything Rolls Royce was producing. The rest, as they say, is history.'
3. Land Rover - Defender
'The fact that the Defender was first seen at the Amsterdam motor show in 1948 and the design has barely changed to this day is quite extraordinary. There's no pretence, no guile style to the Defender. It somehow mixes honesty with style, looking like nothing before or after it. The fact that four wheel drive vehicles are hated by the anti 4x4 brigade makes it that much more appealing. It's old school, uncompromising and very, very British and I love that.'
4. Alfa Romeo - GTV
'Everyone may be thinking I've lost my marbles by putting this Alfa in this list (if not already), especially when I've left out E-Types, Lamborghini, Range Rovers etc. But to me, in 1995 Alfa brought a little Italian chic back to the car industry. It allowed a younger generation to realise what Alfa heritage really stood for and let them pretend they were Dustin Hoffman from The Graduate for a while. It was a stunning design. If Ferrari ever made a 'car for the masses' it would have been the GTV. The wedge-like aggressive stance, mixed with the beauty of the four lamp Alfa nose was a real shock when it was launched. A future classic, I wouldn't bet against it.'
5. Ferrari - 250 GTO SWB
'To show you the type of exacting eye that was used to make the 250SWB such a masterpiece, the story goes that on the unveiling of the full scale mock-up, Pinin said "I hate to tell you this, the design isn't right - five millimeters will have to be taken off." The designers of this car were never trained in design or styling. The surface development, proportions and shape all came from the heart, from the designers' Italian heritage. Pinin called the idea behind this car 'essentiality'. Who am I to try and better that?'
5. Ferrari - 250 GTO SWB
'To show you the type of exacting eye that was used to make the 250SWB such a masterpiece, the story goes that on the unveiling of the full scale mock-up, Pinin said "I hate to tell you this, the design isn't right - five millimeters will have to be taken off." The designers of this car were never trained in design or styling. The surface development, proportions and shape all came from the heart, from the designers' Italian heritage. Pinin called the idea behind this car 'essentiality'. Who am I to try and better that?'
7. Aston Martin - Vantage V12 (2009)
'Maybe I'm getting older and more cynical, but modern car design is tugging at my heart strings less and less these days - hence the reason for a lack of modern machinery in the list. Aston Martin has been doing its best to rectify this problem though. Firstly with the DB9 and then the sublime V8 Vantage. They then proceeded to make far too many of the V8s and seemed to sell them to every footballer and hip hop star and, to me, lost huge credibility plus, these cars were losing up to 40k in the first four years of ownership. Just when I thought I couldn't stand another Bond/Aston associated article by another journalist (Bond's original car was a Bentley for goodness sake), they go and build the Vantage V12, based on the feline aggression of the 2005 V8, but with increased organic muscularity. Thinking of it now makes me go a little weak at the knees. With the sports suspension and V12 engine, it betters most things Audi and Lamborghini can throw at it. If I had to buy a brand new car today, this would be it.'
8. Original Mini
'The original mini was launched in 1959 and is Britain's most influential car ever. It was apparently conceived in a very British way. Alec Issigonis sketched his ideas onto a back of an envelope over a drinking session. The Mini was obviously tiny but its interior space was staggering. It handled better than any rival (and many sports cars), and was hugely cheap to run. The Mini's reputation was sealed when it then went on to win the Monte Carlo Rally in 1964, 1965 and 1967. Of course the shape today is very reminisent of the original. But, now it's owned by BMW I find it a bit heavy, with limited space and quite expensive. Still, we keep buying them in the millions so they obviously have their appeal - I just find it a little bit sad.'
9. Bugatti - Type 57SC Atlantic Coupe
'The Bugatti doesn't so much resemble an automobile as more like something from the aviation industry. This was a car that both encapsulated l'art moderne and triumph of scientific streamlining, with features such as exposed seams and rivots running down the body and spine, created entirely from aluminium and semi-ellipsoidal windows - all made for what I think is the most extraordinary car ever built.'
10. Mercedes Benz - 300 SL Gullwing
'Sitting at the traffic lights, there aren't many cars a man could drive that would make me green with envy. However, I would admit defeat to anyone who pulls alongside me in a Gullwing coupe. It is so sensational to look at, it gives me butterflies. Forget that it was at one time the 'greatest road car ever built for the public'. The design features of the Gullwing were all practical problems to solutions - the Gullwing doors, no protrusions, no door handles, no outside rear view mirror were simply for the pursuit of speed and aerodynamics.'
11. Porsche - 1959 RSK
'Of all the racing cars, this Porsche to me is the most heartachingly beautiful. Not aggressive, it's almost whale-like in shape - maybe even cerebral. This, to me, is how a car should look - squat, small, agile, no rear or front overhangs. If I were racing in the Fifties in this car I'd almost feel like the car was part of me, almost like it had intelligence. Many people will say I should have included the Speedster or James Dean's infamous Spyder. Most though won't have even heard of the RSK and that to me is one of its greatest appeals.'
12. Mercedes - 1960 - 70s, 280 SL
'If there has ever been a chicer styled car than this then I've yet to see it. Add that to its solid German engineering and that it proved itself as a true sports car in winning the Marathon de la route. I've been toying with the thought of buying one of these for the last few years. The image of me with roof down, a beautiful woman beside me with head scarf blowing in the warm summer air, is appealing. I think the image is with a winding Tuscan road in the background not the Fulham Road and the number 14 bus behind mind.'
13. Bentley - Blower, 1929
'Forget Aston Martin. The Bentley Blower was the car Ian Fleming chose for 007 to drive in his earliest novel - it was James Bond's first car. It was also the first model car I remember my grandad building and giving to me. I didn't play with it, just stared in bewilderment at this fascinating machine. Famous for its 'blower' that was installed menacingly on the crankshaft at the front of the car, the car was actually unsuccessful but still attains a mythic status, probably thanks mostly to the way it was conceived at the time by the 'Bentley boys' - a gaggle of of rich Brits who drove hard and played even harder.'
14. Audi - TT, 2000
'There is no better way to explain the impact the Audi TT design had, than to tell you a story. In 1999, I showed my father another picture of a car (this was a regular annoyance that my un-car loving father had to endure), from one of the numerous car magazines I was into at the time. However this time was different. This time there was still the glazed look in the eyes and the bemused smile, but it was followed by the words "Your Mum and I need a new car - are they out yet?" I said "No", but this wasn't going to stop me. A year later we were in Germany collecting our right hand drive TT and driving it back to the UK. No test drive, no reviews, no asking of the price - for some reason my dad just wanted that car. And of course, my Dad being my Dad still has it to this day. The TT though is iconic. Like no other car ever designed, it follows a form over function philosophy, associated with the Bauhaus design school. It's evolved now and is in its second generation, which to me just looks like an A3 coupe. For me original, in this case, will always be the best.'
15. Lotus - Elise, Series 2
'The 1996 Elise was frankly a revelation. It went back to original Lotus principles of being very simple, very light and innovative. Almost revolutionary in it's design and structure, it is still regarded as one of the best driving cars to this day. The Series 2 Lotus Elise moved the experience on even further. It kept all the original driving dynamics of the original, but somehow made it even more beautiful. Actions speak louder than words, and in 2008 I bought a 111R. I kept it in the country whilst I lived in London, hardly drove it and when I did venture back to drive it one winter's evening I crashed it and wrote it off. My memory though is just how 'right' this car was. The style, the proportions, the Ferrari F40 inspired brake lights - I was happy to just sit there and just stare at her.'
Source: vogue.co.uk
Wednesday, 19 January 2011
David Gandy drives: Mercedes SLS
When he's not walking for Dolce&Gabbana or posing for internationally renowned photographers with scantily clad supermodels draped over him, Britain's top male model David Gandy is a committed petrolhead. This is Gandy's first car column for GQ.com, in which the former employee of Auto Express drives the "stunningly good-looking" Mercedes SLS...
The model
One of the most beautiful cars of all time is the 1955 Mercedes 300SL Gullwing. Claimed to be the first-ever "supercar", it was frankly the most technical and brutishly fast road car of its time. Mercedes has now recreated it for the modern day. Not that it's called "300SL", not that it's called "Gullwing", not that Mercedes even claims to have designed or engineered it... The SLS, as it's known, is the first-ever standalone product of AMG, Mercedes' tuning/sports division.
The looks
Where the SLS is clearly a recreation of the 300SLSm is in its appearance: it is a stunningly good-looking machine. The ridiculously long bonnet, the huge Mercedes logo incorporated into the front grille, the side air vents, even the almost hyena-sloped rear: they all emulate the original. Then there's the gullwing doors. Yes, they make you look an absolute prat trying to get in and out of the car and really they don't even need to be like this (the original couldn't have conventional doors due to the design of its racing spaceframe construction. Racing rules at the time indicated that doors "should open", they just didn't say how and the gullwing doors were Mercedes' solution). But let's be honest: to me, the doors are the selling point of the car. Without these it couldn't be called the "modern-day Gullwing" or link back to the heritage and character of the original, it would just be another cheaper, better-looking Mercedes McLaren SLR. And the less said about that car, the better.
The drive
The straight-line speed of this car is brutal - easily as fast as anything else on the road today. However, if any of you have played Gran Turismo on the PlayStation, you'll know that you get to a point where you've upped the power of your favourite car so much and put as much downforce as you can over the rear, but the car still oversteers. So you take the slow-in-slow-out approach to the bends, gun it down the straights and overtake everything in the race approach. Well, this is like the driving experience of the SLS. However, it's not just the driving experience that makes this a car for the PlayStation generation, it's also the amount of electronic gadgetry - the cleverest part being how you can adjust the dampers, gearbox, ESP, traction and suspension and totally change the dynamics of the car to suit your driving prowess or the environment, ie town or track. Part of me thinks that if I drive a sports car, it should be set up for the fastest, best handling available. On the other hand, most of us are not Jenson Button and a car cannot satisfy all of the drivers all of the time, and thus the adjustable dynamics make perfect sense. Back to the car, the twitchy rear end can certainly be scary. Braking heavily into a turn, it easily breaks traction: not for the faint-hearted, and no way would it see where a Ferrari 458 or even a Lotus Evora went through a set of corners. However, it's hugely controllable and with a pointy front end, amazingly direct steering and efficient brakes, it really is an exciting and grin-making drive.
You need to know
I initially thought the SLS was front-engined, rear-wheel drive, but actually it's a mid-engined car as the engine is between the axles - and for those who don't know, mid-engined cars are known to be predominately the best-handling. The SLS AMG is also very, very expensive: it starts at £158,000 but ticking a few option boxes you will soon find yourself in £180,000 territory. That's too much money considering that if you pull up next to a £14,000 Mercedes A-Class at the lights, you will both have the same badge and key ring. I just don't think Mercedes can compete in this supercar category with names such as Ferrari, Lamborghini or McLaren. You could own a Porsche, Aston Martin or Jaguar for as much as £75,000 less. If money is no object however, an original, classic 300SL Roadster or Gullwing Coupe can be had for upwards of £280,000 and with either of these you will, in my opinion, be the envy of almost everybody.
Engine
6.3-litre V8, 550bhp
Performance
0-62 in 3.8secs; top speed 195mph
Price
£157,500
Contact
mercedes-amg.com
Source: http://www.gq-magazine.co.uk
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